Posts Tagged ‘Trammps’

A Third Time Through the Junkyard

April 22, 2011

Originally posted June 4, 2007

As I didn’t get an album ripped yesterday, and Monday morning brings with it a longer list of things to do than I’d normally see – and longer than I’d like to see, certainly – I decided to go back to something I did a couple of times during the early days of this blog (that is, if a blog less than five months old can be considered to have early days).

I thought we’d take a fifteen-song walk through the entire junkyard and see where we end up. But, I considered as I made up my mind, do I make it a random start, or select something? And if I select something, how do I do so?

Well, I watched the first three games of the Stanley Cup finals this past week, and was pleasantly surprised Saturday evening when the Ottawa Senators managed to take a game from the Anaheim Goons –oh, sorry, they’re called the Ducks – in Ottawa. The Senators’ victory left them still trailing the Goons by a two games to one margin, but it appeared for the first time as if the Senators could have a chance in the series. The first two games out in Anaheim were close but the Senators didn’t look like the team I’d seen during the first three rounds of the playoffs. The turnaround the Senators showed on their home ice pleased me because there is no way in the name of Lord Stanley that I want to see the Goons win his cup.

I can see the looks on readers’ faces: This is a music blog, ain’t it? Why’s he talkin’ hockey? Relax. There’s a point to this.

I’ve written briefly at least one other time about the annual tabletop hockey tournaments we have at my place – my friends Rick, Rob and Schultz and I. They’re a one-day continuation of the competitions we used to have when we were in high school, after I got the tabletop game for Christmas 1967. We’d have regular seasons that lasted anywhere from twenty games to fifty-two games, followed by playoffs.

These days, Schultz dominates the competition. Back then, before he joined us, Rick was the best player of the three of us, but he wasn’t quite as dominant as Schultz is now. From time to time, Rob or I could slide a team past him in the playoffs. And in our fourth season, which ended in the spring of 1971, Rob took the title with his New York Rangers. All through that season, when he had the Rangers on the ice and felt momentum turning his way, Rob would begin to hum a song under his breath. I’m not sure why he chose the particular song that he did, but it was a song that seemed to work for him.

And Saturday evening, as I watched the Senators fall behind three times and return to tie the game three times and finally take the lead and the game with a gutsy performance, I found myself humming under my breath. When I realized I was doing so, I chuckled, and then nodded. It was Rob’s old fight song I was humming.

And so, I’ve decided – in honor of the Ottawa Senators and their chances of winning the Stanley Cup – to begin this random fifteen-song walk through the junkyard with Richard Hunter’s solo harmonica version of Rob’s old fight song.

“When Johnny Comes Marching Home” by Richard Hunter from The Act of Being Free in One Act, 1995

“Here Today” by Paul McCartney from Here Today, 1982

“Standing at the Crossroads” by Elmore James, probably Enjoy single 2020, 1961 or 1962

“Rocky’s Reward” by Bill Conti from the Rocky soundtrack, 1976

“Dr. Dancer” by Sutherland Brothers & Quiver from Reach For The Sky, 1975

“Waiting” by Daniel Lanois from For The Beauty Of Wynona, 1993

“Endless Summer” by the Sandals from Endless Summer soundtrack, 1966

“Silent Eyes” by Paul Simon from Still Crazy After All These Years, 1975

“My Time After A While” by John Hammond from Southern Fried, 1970

“Precious Time” by Darden Smith from Little Victories, 1993

“Disco Inferno” by the Trammps from Saturday Night Fever soundtrack, 1977

“Love (Can Make You Happy)” by Mercy, Sundi single 6811, 1969

“Bermuda Triangle” by Fleetwood Mac from Heroes Are Hard To Find, 1974

“String Man” by the Mamas & the Papas from Deliver, 1967

“Hell to Pay” by Bonnie Raitt from Longing In Their Hearts, 1994

A few notes on some of the songs:

The loudest ovation I’ve ever heard at a concert came at the best concert I ever attended, when I saw Paul McCartney at the Xcel Center in St. Paul in September of 2002. About nine songs into the show, as the applause for “And I Love Her” faded away, McCartney began to introduce “Here Today” by saying, “I’d like to do a song now that I wrote for my dear friend John.” Applause burst out, and Paul beckoned to the crowd and said, “Yeah, let’s hear it for John.” And the arena filled with a sustained roar like nothing I’d heard before. From that moment, the concert – which up to then had been good – became magical for me.

“Rocky’s Reward” is the faux-classical string piece – motet? fugue? my bits of classical music awareness fail me – that is used under the final credits for the 1976 film Rocky. I’ve always thought that Bill Conti’s score for the film, the first in what became a series, was a brilliant piece of work, primarily for his imaginative use of recurring themes in a wide variety of settings and arrangements. It was an injustice that Conti was not nominated for an Academy Award for the score (the award went to Jerry Goldsmith for his work on The Omen). And don’t get me started about the award for Best Original Song going to Barbara Streisand and Paul Williams for “Evergreen (Love Theme from A Star Is Born)” instead of Conti’s “Gonna Fly Now.”

John Hammond’s “My Time After A While” comes from his Southern Fried album, recorded at Muscle Shoals with its legendary rhythm section. Duane Allman stopped by to add his slide guitar to four of the cuts on the album, but not, sadly, on “My Time After A While.” That’s Eddie Hinton playing that sweet lead part.

“Precious Time” comes from my favorite album by one of my favorite unknown performers. Well, Darden Smith isn’t entirely unknown; he sells enough CD to be able to keep recording. But as I noted when I posted one of his songs as a Saturday Single in February, if there were any justice in the world, Darden Smith would be a household name. The song sounds as if it’s written about a military draft: “They’re calling up numbers now,” and “How many men and boys will it take to win?” That was odd enough for something written in the 1990s, but it’s chilling now. No, there’s not a military draft right now, but, well, I won’t be surprised if there is one soon.

Heroes Are Hard To Find is a Fleetwood Mac album that I don’t know very well. The Mac was in a transitional state in 1974, just about finishing its shift from a blues band to the powerhouse of smooth California rock it became when Lindsay Buckingham and Stevie Nicks joined up. “Bermuda Triangle,” melodically and thematically, sounds an awful lot like “Hypnotized” off the Mystery to Me album from the year before.

Advertisements