Posts Tagged ‘Rosanne Cash’

A Baker’s Dozen Of Green

June 24, 2011

Originally posted April 23, 2008

JB the DJ from The Hits Just Keep On Comin’ made a couple good points in the comment he left yesterday about my gloomy Earth Day post.

He said, “Actually, it seems to me there’s some cause for optimism on this Earth Day. Despite the best efforts of many to convince us otherwise, more people today seem willing to accept that climate change is real, that fossil fuel is finite, and that we can no longer sit idly by and hope everything will be OK because it things have always worked out before.

“Has it happened in time and will it be enough? Too soon to tell. But it’s definitely happening.”

Those things are true and more even-tempered than were my glum words yesterday. But that was how I felt as I wrote yesterday morning; for whatever reason, I was not in a good state of mind. This morning seems better. And I take some solace in pondering the first sentence JB left here yesterday:

“All we can do is the best we can do.”

So it’s one foot in front of the other, and we end up where we end up. And it’s no doubt true – as I was reminded by some of the news coverage yesterday – that the air and water quality is better here in the U.S. and in many other places than it was on the first Earth Day in 1970. There is much yet to do, so much, in fact, that the prospect of what remains to be done is likely what soured my mood yesterday. But I can see this morning that much has been done.

Here, then, in recognition of the progress that has been made, is a Baker’s Dozen of Green:

“Green Flower Street” by Donald Fagen from The Nightfly, 1982

“Green Hornet” by Al Hirt, RCA single 8925, 1966

“Bitter Green” by Valdy from Landscapes, 1973

“Greenwood Creek” by the Doobie Brothers from The Doobie Brothers, 1971

“In The Land of Green” by Zager & Evans from In the Year 2525 (Exordium & Terminus), 1969

“Green-Eyed Lady” by Sugarloaf, Liberty single 56813, 1970

“Green, Yellow, and Red” by Rosanne Cash from King’s Record Shop, 1987

“Green Lane” by The Sun Also Rises from The Sun Also Rises, 1970

“Little Green” by Joni Mitchell from Blue, 1971

“Green Rolling Hills” by Emmylou Harris from Quarter Moon in a Ten Cent Town, 1978

“The Greener Side” by Jackie DeShannon, probably from the Laurel Canyon sessions, 1967

“Green Power” by Little Richard from The King of Rock And Roll, 1971

“Little Green Bag” by the George Baker Selection, Colossus single 112, 1970

A few notes:

Donald Fagen’s The Nightfly is a jazzy piece of work – of a kind with the latter-day work of Steely Dan around the same time – that takes a look back at American life in the late 1950s and early 1960s. The lens Fagen uses to look at those times, however, is of his own unique grinding, resulting in the same skewed and misshapen observations that came in the best of Steely Dan’s work.

Jazz critics of Al Hirt were wont to complain that he played too many notes too fast in his popular recordings. I’ve always thought that the frenetic pace of “The Green Hornet” – which owes a huge debt, of course, to Rimsky-Korsakov’s “Flight of the Bumblebee” – was his response: “Too many notes, you think? I’ll show you too many notes!”

“Bitter Green” is an early Gordon Lightfoot song – one of his better early compositions – and Valdy is one of Lightfoot’s countrymen, a Canadian whose recordings have gotten little attention over the years anywhere else. I first came across Valdy when I bought one of his records at a garage sale in Minneapolis, and I’ve gotten a few more of his records since. They’re pretty good, if a little bit thinly produced at times.

Sugarloaf released “Green-Eyed Lady” in two versions: the six-minute-plus album version, and the single edit, which went to No. 3 in the autumn of 1970. This version is the edit, and, as I wrote some time earlier, I’m still not sure if I prefer the edit or the long version. Both have their strong points.

The self-titled album by The Sun Also Rises was in a style All-Music Guide calls acid-folk: “The record very much reflects the influence of the foremost exponents of the style, the Incredible String Band, with its wavering harmonies and use of glockenspiel, vibes, dulcimer, kazoo, bells, and other miscellaneous instruments to complement the standard folk guitar.” It was the only album released by the duo of Graham and Anne Hemingway, and it’s very much an artifact of its time.

The Little Richard selection comes from The King of Rock & Roll, one of the three albums that the rock pioneer recorded for Reprise in the early 1970s. A 2005 box set, King Of Rock ‘N’ Roll: The Complete Reprise Recordings collected the three albums along with outtakes and songs recorded for a fourth album that was never released. For some reason, the box set was limited to 2,500 copies and has become a collector’s item.

A Baker’s Dozen from 1987

May 17, 2011

Originally posted October 24, 2007

In 1987, I began what I now call the nomadic phase of my life. During the nearly five-year period from May 1987 through March 1992, I moved eight times, wandering from Minnesota to North Dakota back to Minnesota to Kansas to Missouri and back to Minnesota.

It was, clearly, an unsettled time in my life. I taught at two universities, a college and a community college, lost one cat, wrote for four newspapers, wrote a novel and lots of lyrics, fell in love three times and watched it fade three times, bought more than six hundred records, made friends and lost friends, survived the Halloween Blizzard of 1991 (a total of twenty-eight inches of snow fell in the Twin Cities from October 31 through November 3), and wound up on Pleasant Avenue in south Minneapolis, where I lived for the next seven years, waiting (though I did not know it) for the Texas Gal’s path to intersect mine.

And, as always, I listened to a lot of music. Being on college campuses at various times during those years kept me more in touch with new music than I had been when I was working as a free-lance writer. That was especially true in Minot, where I advised the college newspaper for two academic years, from the autumn of 1987 through the spring of 1989. My office was adjacent to the paper’s newsroom/workroom and the sound of the radio in the next room was inescapable. Luckily, I liked most of what I heard.

A Baker’s Dozen from 1987

“There’s A Light Beyond These Woods (Mary Margaret)” by Nanci Griffith from Lone Star State of Mind

“Hooked On Your Love” by Lynn White, Waylo single 3022

“Runaway Train” by Rosanne Cash from King’s Record Shop

“Someplace Else” by George Harrison from Cloud Nine

“Touch of Grey” by the Grateful Dead from In The Dark

“Paper In Fire” by John Mellencamp from The Lonesome Jubilee

“Yes” by Merry Clayton from the soundtrack to Dirty Dancing

“Tougher Than The Rest” by Bruce Springsteen from Tunnel of Love

“Tango In The Night” by Fleetwood Mac from Tango In The Night

“The Mystery” by Van Morrison from Poetic Champions Compose

“With You Or Without You” by U2 from The Joshua Tree

“Hazy Shade of Winter” by the Bangles, Def Jam single 07630

“Unchain My Heart” by Joe Cocker from Unchain My Heart

A few notes on some of the songs:

Lynn White came from Alabama and had her first success in 1982 when Sho Me Records released her single “I Don’t Wanna Ever See Your Face Again.” Among those who heard it was Memphis producer Willie Mitchell, who released the single on his own label, Waylo, and brought White into his Memphis studio. Her records did well, and in 1987, “Hooked On Your Love” was released as the B-side to “He’ll Leave You For Her.” The single is a good indication of how Mitchell’s sound had evolved since the days of Al Green, Otis Clay and Ann Peebles. (Thanks to Red Kelly at The “B” Side for the tune and the information.)

Rosanne Cash’s “Runaway Train” is about as clear-headed an assessment of love flying off the rails on a curve as you can find in song. Written by John Stewart (of “Gold” and “Midnight Wind” from 1979) and produced by Rodney Crowell, Cash’s husband at the time, it’s a disquieting song. Dave Marsh, who ranked it at No. 590 in The Heart Of Rock & Soul, his listing of the 1001 greatest singles of all time, notes that the “husk of Rosanne’s singing and the thrash of those drums . . . evoke without flinching a million exhausted midnight fights between lovers too familiar with each other’s moves to be taken by surprise or learn anything new, too wrapped up in each other’s lives to know how to quit.”

It took the Grateful Dead more than twenty years to have a Top 40 single. The infectious “Touch of Grey” spent sixteen weeks on the Cash Box Top 100 chart in the autumn of 1987, peaking at No. 17.

Merry Clayton’s “Yes” was included on the soundtrack to Dirty Dancing when it was released in the fall of 1987. The song was released as a single in 1988 and spent twelve weeks on the Cash Box chart but didn’t quite make the Top 40, peaking at No. 42.

Fleetwood Mac’s Tango In The Night is a sweet album and remains one of my favorites by the group. It was Lindsey Buckingham’s last work with the band until Say You Will in 2003, and he took his leave with an album that grows on me more and more every time I hear it. The title tune, which came up during a random play for this list, is all right, but I would have preferred “Caroline” or “Seven Wonders.”

“Unchain My Heart” is the opener and the title track to Joe Cocker’s lively and accomplished album of late 1987. I’m not sure how many times Cocker had mounted a comeback by 1987, but the album was one of his better comeback efforts and this track is one of the best on the record. That’s Clarence Clemons taking the saxophone solo.

As always, bit rates may vary.

Thanks 100,000 times!
Back in late 1989, I had a Toyota station wagon that was approaching the 100,000-mile mark. As I drove home one November evening, I could tell that the car would be at 99,999.8 miles when I put it in the garage for the evening. So I drove an extra time around my block, watching the odometer move to 100,000 and beyond. It’s one of those things you don’t often see (although as automobiles last longer these days, I imagine it’s more common).

I felt a little bit then like I did yesterday afternoon when I refreshed the page here at Echoes In The Wind and saw that the number of visitors had changed from 99,999 to 100,000. Someone in Leeuwarden, the Netherlands, was the 100,000th visitor here since February 1. It’s a number that boggles my mind, and I just want to thank that Dutch visitor, and everyone else who stops by, for visiting my little corner of the ’Net.