Posts Tagged ‘Lesley Duncan’

Another Turn Through The Junkyard

June 6, 2011

Originally posted January 28, 2008

Well, quite a busy weekend around here!

We saw Richie Havens in concert Friday evening, as I mentioned Saturday. Saturday evening, we went over to the St. Cloud State campus and its National Hockey Center, where we saw the SCS Huskies lose 5-3 to the Mavericks from Minnesota State University, Mankato. (That’s a university that used to be plain old Mankato State, but its leaders decided a while back that it would sound more important if it were called Minnesota State University, Mankato. I wonder if the TV show Coach had anything to do with that, considering that the popular show took place for most of its run at a fictional Minnesota State? In any case, the uniqueness of the name went away after the state university at Moorhead did the same, calling itself Minnesota State University, Moorhead.)

And Sunday? Well, I spent the bulk of my time yesterday installing my new external hard drive and then transferring over to it more than 20,000 mp3s. The drive is a My Book from Western Digital, which I selected after a general recommendation by my nephew, who works in IT for the Osseo school district in the Twin Cities. He told me that he didn’t have specific model recommendations, but he listed a few manufacturers that he said put out good products, and Western was one of them. So when we were out Saturday, we stopped by the local outlet of the big box electronics store and found a 500-gig drive on sale.

Having heard horror stories, I backed up those mp3s that would be the hardest to replace – about twenty gigs, or a quarter of the collection – and then installed the new drive and began to transfer the mp3s. It took about three hours for the eighty-five gigs of music to find its way to its new home. And then I wasted a few hours messing around with RealPlayer. Prompted by a popup from Real.com, I installed a new version. I didn’t like it, so I spent some time finding and reinstalling the old version (thank goodness for Old Version) and finally got settled.

Next comes the process of reloading all the obscure (and sometimes rather odd) albums that I’ve recorded to CDs and pulled from the player over the past couple of years. I’m not sure how many of those albums I’ll share as albums, but tracks from them should begin popping up in Baker’s Dozens fairly soon.

Given that I have tinkering to do with all those CDs – about seventeen of them, each packed with about 700 MB of music – I thought I’d forego ripping an album this morning and instead take a Monday morning walk through the Junkyard, 1950-1999. And as someone responded to Saturday’s post about the Richie Havens concert with a request, we’ll start with Havens’ 1967 recording of “Follow.”

A Walk Through whiteray’s Junkyard

“Follow” by Richie Havens from Mixed Bag, 1967

“Human Touch” by Bruce Springsteen from Human Touch, 1992

“Pushin’ Too Hard” by the Seeds, GNP Crescendo single 372, 1967

“Knockin’ On Heaven’s Door” by Bob Dylan with the Grateful Dead from Dylan & The Dead, 1989

“Chain of Love” by Lesley Duncan from Sing Children Sing, 1971

“Carolina Moon” by Mr. Acker Bilk from Stranger On The Shore, 1961

“Sideshow” by Blue Magic, Atco single 6961, 1974

“Too Much To Lose” by Gordon Lightfoot, RCA Studios, Toronto, 1972

“Wax Minute” by Mike Nesmith from Tantamount to Treason, 1972

“At Seventeen” by Janis Ian from Between the Lines, 1975

“House That Jack Built” by Thelma Jones, Barry single 1023, 1968

“Smile A Little Smile For Me” by the Flying Machine, Congress single 6000, 1969

“Get Down Tonight” by KC & the Sunshine Band, T.K. single 1009, 1975

“Keep Love In Your Soul” by Gary Wright from Headin’ Home, 1979

“Fancy Dancer” by Bread from Guitar Man, 1972

A few notes:

I hesitated when the track from Dylan & the Dead came up, as the album is truly one of the worst entries in the catalogs of both Bob Dylan and the Grateful Dead. It sounded like a great idea, I guess, and from what I’ve read in various places, there are tapes of Dylan and the Dead performing marvelously. But it didn’t happen on the tour that this album came from.

Lesley Duncan was one of the better session singers in the UK, or so I’ve read, and as a result, she had some estimable musicians – including Elton John – supporting her when she recorded Sing Children Sing. The album is a pleasant enough slice of early Seventies singer-songwriter, but it didn’t draw much attention in what was a crowded field. Duncan recorded four more albums through 1977, again without much success. I like her music, and “Chain of Love” is pretty representative. Sing Children Sing was released on CD on the Edsel label (!) in 2000, and copies now go for more than $80.

“Carolina Moon” is a track from the album released by England’s Mr. Acker Bilk after the idiosyncratic clarinetist had a No. 1 hit in 1962 with the lilting and lovely “Stranger on the Shore.” Bilk never had another Top 40 hit, but his musicianship has kept him quite popular among trad jazz fans in England, with his most recent album – among those listed with dates at All-Music Guide – being 2005’s The Acker Bilk/Danny Moss Quintet.

With its spoken carney-barker introduction, it could be easy to dismiss “Sideshow” as a novelty. But the record succeeds despite that corny intro and remains one of the prettiest of the singles that came out of the Philly Soul movement in the 1970s.

The Mike Nesmith track comes from one of the highly regarded series of country-rock records that the one-time Monkee released during the early 1970s. Any of them are worth checking out. (Those interested in eccentricity should also look into Nesmith’s 1968 oddity, The Wichita Train Whistle Sings.)

Thelma Jones came out of the gospel music world and was the first to record “The House That Jack Built.” A little later in 1968, Aretha Franklin’s cover of the song would slice Jones’ version to shreds, but it’s always interesting to hear the original.

The Flying Machine was a British studio group, not to be confused with James Taylor’s similarly named group. The Brits did bubble-gummish work and the sold some records although “Smile A Little Smile For Me” was their only U.S. hit. Coming as it did from the year I truly began to listen to the Top 40 on the first radio I ever owned, it always brings a smile.

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