Posts Tagged ‘John Hiatt’

A Baker’s Dozen Of A&M Singles

June 27, 2011

Originally posted May 7, 2008

I remember being aware of three record labels when I was a young listener, between the ages of ten and thirteen. Not record labels as in business concerns but as in the designs on the paper at the center of the record, be it an LP or a 45.

There was the yellow and orange yin/yang swirl at the center of the one 45 I claimed ownership of (half ownership, actually, with my sister): the Beatles “I Want To Hold Your Hand/I Saw Her Standing There.” Other records to come would have that swirl, but that 45 in February 1964 was the first. (That swirl popped up the other day when I was wandering through the CD’s: Rhino copied it lovingly for its 1990 issue of The Rutles.)

Then there was the very old logo that RCA Victor used: the dog Nipper leaning over the Victrola, listening to “His Master’s Voice.” (There truly was a Nipper who listened to the gramophone; some of his story is told here.) The label RCA used was a little cluttered: Nipper and his Victrola and the LP’s title were above the spindle hole with data to either side of the hole and track listings and more data below. That was the label on my copy of Al Hirt’s Honey In The Horn, which came to me for my eleventh birthday.

And finally, the third of the labels I was aware of early on was on A&M records, the company started by Herb Alpert and Jerry Moss. Looking today at the design on the first A&M record I owned – Whipped Cream & Other Delights by Herb Alpert’s Tijuana Brass – I’m impressed by its clean look: the tan background, the very simple A&M logo. (The example shown here is from another album, obviously. As I don’t have a scanner, I find graphics where I can on the ’Net; this one came from BSN Publications, a treasure trove of LP discographies and history, including the histories of many label designs.)*

I don’t know that I had a favorite at the time, but it was during this period – the years from eleven to thirteen – that I began to play around with designing logos for imaginary sports teams, and in doing so, I began to look at typography and design. (Somewhere in a box in the closet is a folder full of logos that came from my pen.) And I recall looking at the A&M label one day and pondering its design as the sounds of Herb and the boys came from the stereo. I’m sure I came to no conclusions, except perhaps the one that might matter most of all: A nice label design is good, but it’s even better when it comes with good music.

And over the years A&M did pretty well with that, as today’s Baker’s Dozen shows.

A Baker’s Dozen of A&M Singles
“This Guy’s In Love With You” by Herb Alpert, A&M 929, 1968

“I Wonder What She’s Doing Tonite” by Boyce & Hart, A&M 893, 1968

“You Are So Beautiful” by Joe Cocker, A&M 1641, 1974

“Is She Really Going Out With Him” by Joe Jackson, A&M 2132, 1979

“Superstar” by the Carpenters, A&M 1289, 1971

“Take The Long Way Home” by Supertramp, A&M 2193, 1979

“Come Saturday Morning” by the Sandpipers, A&M 1134, 1967

“The Captain Of Her Heart” by Double, A&M 2838, 1986

“Homburg,” by Procol Harum, A&M 885, 1968

“Hold On Loosely” by 38 Special, A&M 2316, 1981

“Memphis In The Meantime” by John Hiatt, A&M 2989, 1987

“Don’t You Want Me Baby” by Human League, A&M 2397, 1982

“Strawberry Letter 23” by the Brothers Johnson, A&M 1949, 1977

A few notes:

Tommy Boyce and Bobby Hart were better known as a song-writing team than as performers, although “I Wonder . . .” went to No. 8 in early 1968 and was the second of three Top 40 hits for the duo. The LP, titled after the single, seems to be a collector’s item, at least in some circles. I had a copy of it under my arm at Cheapo’s one day in the 1990s, and an eccentric collector followed me around the store for a few moments, asking to look at the record and gushing, when I did, “Do you know how rare this is? What a prize this is?” He handed it back, and I said, “I do now.”

“You Are So Beautiful” is not my favorite among Joe Cocker’s singles on A&M. I would probably opt for “Cry Me A River,” taken from the Mad Dogs & Englishmen tour. But “You Are So Beautiful” is what popped up in a random run of A&M singles. And it did pretty well, reaching No. 5 in the early months of 1975. It was Cocker’s eighth Top 40 single in a little more than five years; it would be his last until he hit No. 1 seven years later with his duet with Jennifer Warnes: “Up Where We Belong.”

I always thought of Joe Jackson as a weird guy who could never figure out what kind of songs he wanted to sing. It wasn’t until years later that I realized that his constant changes were indicative of an inventive mind rather than a lost musician. The new wave textures of “Is She Really Going Out With Him” didn’t grab me much at the time, but then, I was beginning to lose interest in most pop music in 1979. It’s pretty clear to me now that all of Jackson’s oeuvre has had a longer shelf life than much of the stuff that surrounded him at the time.

It was incredibly unhip to like the Carpenters when they came on the scene in the early 1970s. With their squeaky clean image and their music sitting on the softest part possible of the pop-rock sofa, they seemed like what our parents would want us to listen to. But Richard Carpenter was a pretty decent arranger: Some of his work is a bit busy and some a little too gooey today, but most of it now sounds quite good. And Karen Carpenter – poor girl – had a marvel of a voice. I don’t think that “Superstar” is her best performance – I’d probably go with “Goodbye To Love” instead – but she does find the lonely heart of the Leon Russell/Bonnie Bramlett song here.

On those nights when cares and worries keep you up past midnight with the radio playing softly underneath your dismay, the last thing you need to hear filtering from the speakers is Double’s great record, “The Captain Of Her Heart.” The only hit ever for the Swiss duo of Felix Haug and Kurt Maloo (No. 16), the song is guaranteed to increase the intensity of those cares and worries, especially if they’re of the romantic kind. (During the years when I had those kinds of nighttime cares and worries, I generally endured them in silence, just to avoid this sort of song.)

“Hold On Loosely” was 38 Special’s first Top 40 hit, coming before the group dropped the decimal point from its name. It’s a song I wasn’t all that familiar with until the Twin Cities oldies station I listen to shifted its format about a year and a half ago, adding hits and album tracks from the Eighties and trimming the Fifties and Sixties playlists. Angry calls and emails, along with declining ratings, spurred the station to revert to its earlier format not long ago. But “Hold On Loosely” stays in my RealPlayer because the Texas Gal likes it.

It’s entirely possible that some of these mp3s are album versions rather than single edits. If so, I apologize. As always, bit rates will vary.

*At this time, while assembling the archive of posts, I do have a scanner, but several attempts to scan labels on LPs have failed, so I pulled a scan I found online although not, this time, at Both Sides NowNote added June 27, 2011.