Posts Tagged ‘Grace Potter & The Nocturnals’

Mary, Paul & Grace

December 21, 2011

Originally posted February 5, 2009

I found an interesting video of Mary Hopkin’s “Those Were The Days” at YouTube this morning. The person who posted it, richpat, writes:

The opening black and white film is from 1968 and the remaining film is from around 1982.

This song sung by Mary Hopkin called ‘Those Were The Days’ is not translated from the song ‘Дорогой длинною’ [or] ‘Dorogo Dlinnoyu.’

The song ‘Dorogoy Dlinnoyu (Along a long road)’ was written in the 1920’s by ‘Boris Fomin’ (music) and ‘Konstantin Podrevsky’ (lyrics). An American called Gene Raskin in the early 60’s wrote the lyrics ‘Those Were The Days’ and put them to Fomin’s music. The words have no similarity whatsoever with Podrevsky’s.
“For more info on Mary and this song visit my website at http://www.maryhopkin.net .

Note: Embedding has been disabled on richpat’s video since the original blog post, so I’ve found another video of the tune to place here. Note added December 21, 2011.

Here’s a video put together by YouTube user macca09 that combines Paul McCartney’s original demo of “Goodbye” (a 1968 recording that I don’t know that I’ve ever heard before) with footage of McCartney and of McCartney working with Hopkin in the studio:

Video deleted.

I couldn’t find a performance video of “Mastermind” by Grace Potter and the Nocturnals, but I did find an acoustic performance from June 14, 2007, of “Stop The Bus.” The performance took place in Studio M at WMMM (105.5) in Madison, Wisconsin.

Tomorrow, I think we’ll dig back in to the charts for this week in 1971, see what gems we can find in the lower reaches of the Billboard Hot 100.

Two Years Of Echoes

December 16, 2011

Originally posted February 2, 2009

I’ve been wondering for some time how to mark the second anniversary of this humble blog. While I’d shared a few albums and singles beforehand, it was on February 1, 2007, that I invested a small bit of cash and installed a counter. With that done, I began to actively encourage folks to stop by here.

So I’ve designated February 1, which was yesterday, as this blog’s birthday, and – as I said – I’ve been wondering what to do to mark it. The first thing to do, I thought, is a historical inventory, seeing from what decades my mp3 collection comes. This is what I found.

1800s: 27
1900s: 9
1910s: 10
1920s: 381
1930s: 412
1940s: 316
1950s: 1,054
1960s: 7,842
1970s: 12,353
1980s: 2,983
1990s: 4,032
2000s: 4,293

The stuff from pre-1920 isn’t as impressive as it might look. Almost all of those mp3s are classical pieces and college fight songs tagged by their dates of composition, not by recording dates. The oldest recording that I have – at least the oldest to which I can append a date that I believe is accurate – is a performance of “Poor Mourner” recorded by the Dinwiddie Colored Quartet in Philadelphia on November 29, 1902.

The focus on the 1960s and 1970s doesn’t surprise me, nor should it startle anyone who comes by here regularly. I am a little surprised that I have that much music from 2000 and after.

So what should I post today?

What I’ve decided to do is to first ignore the music from pre-1950. I find some of it interesting, but I think it’s less so to the folks who stop by here. After that, I’ll sort through the files by decade and then by running time, and at that point find a single track of roughly average length from each decade from 1950 on. I’ll select the singles based on rarity and on my perceptions of their appeal and aesthetic value.

And since you all by now know that my aesthetic structure has a few slightly warped walls, this might be fun! So here’s what we’ll listen to today:

A Six-Pack Through The Decades
“Smoke Gets In Your Eyes” by the Platters, Mercury 71383 [1958]

“Girl From The East” by the Leaves, Mira 222 [1966]

“Come Back into My Life Again” by Cold Blood from Lydia [1974]

“Don’t Walk Away” by Toni Childs from Union [1988]

“Ghost Train” by Counting Crows from August And Everything After [1993]

“Mastermind” by Grace Potter & The Nocturnals from This Is Somewhere [2007]

“Smoke Gets In Your Eyes” spent three weeks at the top of the pop chart in early 1959, giving the Platters their fourth No.1 hit. Over all, the Los Angeles group had twenty-three records reach the Top 40 between 1955 and 1967.

“Girl From The East” was the B-Side to the Leaves’ “Hey Joe,” which reached No. 31 in the summer of 1966. More interesting in these precincts is the fact that “Girl From The East” was written by my pal Bobby Jameson for the 1965 album, Songs of Protest and Anti-Protest that Bobby recorded under the name of Chris Lucey.

By 1974, Cold Blood was trying to capitalize on its lead singer, Lydia Pense, using her name as the title of one album and then, in 1976, titling its next album Lydia Pense & Cold Blood. The strategy didn’t get the group that many more listeners, but the music was still good, as “Come Back into My Life Again” makes clear.

Toni Childs’ Union was one of my favorite albums of the late 1980s, an idiosyncratic piece of work that I found fascinating. “Don’t Walk Away,” a funky, powerful track, is the album’s opener and was released as a single. Even more than twenty years later, the album has a grip on me.

Adam Duritz’ distinctive voice was by any measurement one of the iconic sounds of the Nineties. I haven’t always liked Counting Crows’ work, but it’s almost always been interesting.

On the other hand, through three CDs, I absolutely love everything that Grace Potter and her band, the Nocturnals, have recorded. The band – with Potter on keyboards – is tight, and Potter sings like. . . well, I don’t have a superlative strong enough at hand right now. Get the CDs and listen.

A Brief Note
I just wanted to say that I’ve had more fun keeping this blog going for these past two years than I could ever have anticipated. I’ve had a chance to share music I love, and – much more importantly – I’ve had a chance to find similarly inclined friends from around the world. Thanks to all of you for reading and for your comments as well as the occasional correction or clarification. I hope you all come along as we head into Year No. Three.