Posts Tagged ‘Dan Fogelberg & Tim Weisberg’

‘This Is What I Give . . .’

October 2, 2020

The atmospheric “Since You Asked” is the second track on Judy Collins’ hushed 1967 album Wildflowers. The album itself was part of the soundtrack of my mid- to late teen years, from the time my sister bought the album – probably in 1968, after Dad finished work on the basement rec room – to the time she took it with her on her newlywed way to a career in education in the summer of 1972.

I couldn’t have told you the title of the track until it came to mind the other day, but as soon as I called it up on the RealPlayer, it was instantly familiar, pulling me back to adolescent reveries on the green couch:

What I’ll give you since you’ve asked
Is all my time together;
Take the rugged sunny days,
The warm and rocky weather,
Take the roads that I have walked along,
Looking for tomorrow’s time,
Peace of mind.

As my life spills into yours,
Changing with the hours
Filling up the world with time,
Turning time to flowers,
I can show you all the songs
That I never sang to one man before.

We have seen a million stones lying by the water,
You have climbed the hills with me
To the mountain shelter.
Taken off the days, one by one,
Setting them to breathe in the sun.

Take the lilies and the lace
From the days of childhood,
All the willow winding paths
Leading up and outward.
This is what I give
This is what I ask you for;
Nothing more.

After my sister headed out to adult life, I went about sixteen years without hearing the song except by accident. I found it in 1988 on Collins’ anthology, Colors Of The Day, and then found Wildflowers five years later. Even during a time of increased record-buying, the two Collins albums got fairly regular play as I drifted between North Dakota, Minnesota, Kansas and Missouri and back to Minnesota

In a seemingly unrelated event, I also picked up in 1988 an album by Dan Fogelberg and Tim Weisberg titled Twin Sons of Different Mothers, a 1978 piece of work that I’ve listened to occasionally but not with any great attention.

So, until it was mentioned in a Facebook music group the other day, I’d not realized that the track on the latter album titled “Since You’ve Asked” was actually Collins’ song. After reading the note at Facebook, I wandered off and found the Fogelberg/Weisberg track in the digital stacks and of course knew it immediately. The production – framed by piano, with some slight alterations in the lyrics – makes the tune fit nicely into Fogelberg’s catalog of sometimes spare and haunting songs:

There are a few other covers of the song out there, some instrumental (and most using the title “Since You’ve Asked” instead of Collins’ original “Since You Asked”). If we dabble with those at all, we’ll do so on another day.

A Baker’s Dozen From 1978

April 20, 2011

Originally posted May 16, 2007

After I settled on the Moody Blues’ ballad “Driftwood” to kick off this week’s Baker’s Dozen, I was thinking in about four different directions.

I was pondering 1978, which is the year from which this week’s songs come. I thought about the first time I heard the Moody Blues. I thought about belonging to various music clubs over the years, as I believe that’s how I got Octave, the album from which “Driftwood” comes. And I was wondering how many songs in the major rock canon feature French horn.

I’m pretty sure I heard the Moody Blues for the first time at Rick and Rob’s along about 1970, after Rob borrowed a copy of Question of Balance from a friend. I’ve belonged to music clubs about six times over the years and currently subscribe to Yourmusic.com, which is the best – for value provided – service of that type I’ve ever belonged to, if you can do without the absolute latest up-to-the-minute hits. (That’s an utterly unsolicited testimonial, of course.) And I thought instantly of two other songs that, like “Driftwood,” feature a French horn prominently: “You Can’t Always Get What You Want” by the Rolling Stones and the Beatles’ “For No One.” (Anybody have any others?)

But what struck me was pondering 1978. I’ve got a pretty good memory, and many of the things I remember, I recall vividly. And there’s not much about 1978 that stands out. All right, I got married, a union that was later dissolved, and I haven’t forgotten that. But beyond that – and those who have lived through the slow death of a union that was expected to be permanent will understand the ambiguity with which I recall that event – it was a quiet year, at least in my memory.

The interesting thing about that is that it was my first full calendar year in the so-called adult world. I left St. Cloud in December of 1977 for my first newspapering job, in the small town of Monticello about thirty miles away. After some growing pains, I settled into the routine of a weekly newspaper, a routine I stayed with for almost six years. I enjoyed my work there, and did well with it, and I liked living in a small town (about 3,000 people at the time), for the most part.

But it was a quiet time in my life, not as unsettled as the college years that preceded it, nor, come to think of it, as vibrant as the years in graduate school that followed it. And as I gathered this Baker’s Dozen, I pondered the ancient Chinese curse (or so I have been told it is): May you live in interesting times.

Consider that, along with trying to think of songs with French horn in them.

“Driftwood” by the Moody Blues from Octave

“Doubleback Alley” by the Rutles from The Rutles

“Easy From Now On” by Emmylou Harris from Quarter Moon In A Ten Cent Town

“Before My Heart Finds Out” by Gene Cotton, Ariola single 7675

“Field Of Opportunity” by Neil Young from Comes A Time

“Twins Theme” by Dan Fogelberg & Tim Weisberg from Twin Sons Of Different Mothers

“Let’s All Chant” by Michael Zager Band, Private Stock single 45184

“Miss You” by the Rolling Stones from Some Girls

“Who Are You” by the Who from Who Are You

“’Till You Come Back” by Craig Fuller & Eric Kaz from Craig Fuller & Eric Kaz

“Song On The Radio” by Al Stewart from Time Passages

“Who Do You Love” by Townes Van Zandt from Flyin’ Shoes

“Whenever I Call You ‘Friend’” by Kenny Loggins, Columbia single 10794

A few notes on the songs:

“Doubleback Alley” by the Rutles is, of course, part of one of the great musical spoofs of the rock era. The record The Rutles is the soundtrack to a mock documentary satirizing the rise and fall of the Beatles, of course, done by a troupe that included members of the Monty Python group. The film was at time hilarious, but the music was dead-on, matching the sounds of the Beatles through the years. (The same was true of Archaeology, released at the time Apple released the three mammoth Beatles anthologies.)

“Field Of Opportunity” is from Comes A Time, Neil Young’s return to the countrified roots that he first presented on Harvest in 1972 and would return to from time to time. The record was a major success for Young, but I’ve always gotten the feeling that he was a little bored with it once he released it. I recall reading a comment from him to the effect that he could have stayed in the middle of the road for his career but that the view from the ditch was more interesting.

“Let’s All Chant” by the Michael Zager Band is one of those things that come up in anybody’s player from time to time, I imagine. You know, a song that brings the reaction “Where the hell did I find that and why did I keep it?” Zager’s only Top 40 hit, was featured in the Faye Dunaway film The Eyes of Laura Mars and reached No. 36. I’m still debating whether it stays, although it did turn out to be kind of catchy.

I think, without checking, that this is the first appearance of the Rolling Stones in a Baker’s Dozen, which is interesting, as almost all of their work from, say 1966 through the Seventies is in my RealPlayer. And I think this list has the first appearance by the Who, as well.

The late Townes Van Zandt, despite being little known by the general public, was one of the greatest country and folk writers and performers of his generation, from the start of his career in the mid-1960s up to his death in 1997. Flyin’ Shoes, which included his take on Bo Diddley’s classic, “Who Do You Love,” has just been remastered and re-released.

The female vocal on “Whenever I Call You ‘Friend’” is by Stevie Nicks.