Posts Tagged ‘Culture Club’

Driving On Ice With No Clue

November 16, 2011

Originally posted January 13, 2009

When I went to graduate school at the University of Missouri, I lived in a mobile home park on the south edge of the city of Columbia. The park was on at the top of a hill on Grindstone Creek Road. (The road is still there, according to Google Earth, but the mobile home park is gone.) Heading into the city from my home, Grindstone Creek Road twisted and turned its way down the hill to a major intersection; from there, the university campus was located up another hill, though the roads were straight and the hill not so steep.

For most of the time I went to graduate school, I had no problem getting to and from school and the offices on campus of the Columbia Missourian and, later, the office of the Columbia Daily Tribune. Through the last four months of 1983, I’d had no difficulty with the weather; I’d actually chuckled a little at the way folks clutched their coats and huddled over in the face of a thirty-degree breeze (-1 Celsius).

One day during the first couple weeks of January of 1984, I woke up to learn that an overnight storm had left a skim of ice on the ground, topped by about three inches of snow. I shrugged, got dressed and headed out. I swept the snow of my car – a Toyota that I’d named Toby; I’ll tell his tale someday – and headed through the mobile home park toward the gate on Grindstone Creek Road.

With the defroster clearing away the fog on the windshield, I watched as about four or five cars went past me, heading down Grindstone’s hill. Every one of them was sliding around the curve to the south, fish-tailing as they came through the short straight stretch by the mobile home park and then fishtailing around the curve where the twisty, downhill portion of the road began.

I know how to drive in snow and – when absolutely necessary – on icy roads. My record isn’t perfect: I’ve gotten stuck a few times and had a fender-bender or two, but I grew up driving in winter. Those folks I watched coming past the mobile home park and heading down the hill that morning had no clue. There was no way I was going to pull out onto Grindstone and put myself in their paths. I drove back to my place and stayed put until the traffic had settled down.

A Six-Pack From the Charts (Billboard Hot 100, January 14, 1984)

“Owner of a Lonely Heart” by Yes, Atco 99817 (No. 2)

“Church of the Poison Mind” by Culture Club, Epic/Virgin 04144 (No. 27)

“The Sign of Fire” by the Fixx, MCA 52316 (No. 32)

“In A Big Country” by Big Country, Mercury 814467 (No. 57)

“Sweetheart Like You” by Bob Dylan, Columbia 04301 (No. 70)

“Suddenly Last Summer” by the Motels, Capitol 5271 (No. 100)

Ah, the Eighties! Not one of my favorite decades musically, although I had some very good years during that time. (There were one or two years that were real stinkers, though, so that may color my perception of the decade.) I’m not at all sure how well any of these have aged. Well, except the Dylan, as its production is not tied to what one might call “The Classic Eighties Sound.”

Actually, the Dylan track sounds darn good, with a good lyric and melody. The credits on the album Infidels list Sly Dunbar on drums and percussion, Robbie Shakespeare on bass, Alan Clark on keyboards, Dylan on guitar, harmonica and keyboards and Mark Knopfler and Mick Taylor on guitar. Knopfler and Dylan co-produced. I don’t know which of the two guitarists – Taylor or Knopfler – is playing on “Sweetheart Like You,” but, well, just listen to it. (The record peaked a couple weeks later at No. 55.)

As to the others – all of which I selected pretty much on whims – I think “In A Big Country,” with its bagpipes and broad ambitions, still works. In fact, I like it a whole lot more in 2009 than I did in 1983, when the album The Crossing was released. The single eventually went as high as No. 17 and was Big Country’s only Top 40 hit.*

Similarly, I like Culture Club’s “Church of the Poison Mind” more than I did back then. Still, what makes the track work is not so much Boy George and the rest of the band; it’s the vocal from Helen Terry that lifts the record up from the rest of the pack. By January of 1984, the record was sliding back down the chart, having peaked at No. 10.

Of the other three, I think the Yes single is the most memorable, though not necessarily the best; still, it reached No. 1 in the next week’s chart and stayed there for another week, the only Top Ten hit in the career of the long-lived and oft-altered group.

The Fixx’s single isn’t – to my ears – very memorable. It had reached its peak at No. 32 in the January 14, 1984, chart. And the Motels’ “Suddenly Last Summer” – which is either the best or second best of these six records; call it a tie with “Sweetheart Like You” – was just ending a long stay on the Hot 100. In a twenty-week run, the Motels’ single had gone up to No. 9 before falling back.

It’s possible – maybe even likely – that’s some of these are album versions instead of the singles. And as always, bitrates may vary.

Bonus!
Sadly, I don’t have the record or the mp3, but at Dr. Forrest’s Cheeze Factory, I found a link to the video for the No. 16 record on the January 14, 1984 Top 40: “The Curly Shuffle” by Jump ’N The Saddle:

That’s just one more bit of nonsense that proves that a good novelty single can make the charts in any era. Nyuk-nyuk!

*Shortly after this post was published, a kind reader who knew more than I about Big Country informed me that the bagpipe sound in “In A Big Country” had actually been created by electronically altering guitar sounds. Note added November 16, 2011.