Posts Tagged ‘Carey Bell’

A Landmark Preserved

July 9, 2013

A few times over the past five years, I’ve written about the building at 508 Park Avenue in Dallas, the building where Robert Johnson spent two days recording in 1937. I’ve written about the possibility that the building – dilapidated and in a difficult neighborhood – might be torn down. I’ve written about the sessions that Eric Clapton conducted there in 2004, recording several of Johnson’s songs in the same room where Johnson recorded them in 1937. And I’ve written about my two visits to the building, about standing at its doorstep and standing in the same place where both Robert Johnson and Eric Clapton had been.

But I’m not sure I ever shared here the very good news that, through a project headed by the Stewpot – a homeless shelter across the street from 508 – and the First Presbyterian Church of Dallas, the building at 508 Park will be preserved and will become the centerpiece for what’s being called the Museum of Street Culture. The vacant building on the north side of 508 has been razed to create a space that will include an amphitheater, and a now-vacant lot on the south side of the building will become a community garden.

The plans for the museum and its programs are available at the website for the Museum of Street Culture, a website that includes a photo of Steven Johnson, the grandson of Robert Johnson, standing in front of the building where his grandfather recorded some of the most influential songs in blues history.

Here’s my photo of the door of 508 from one of my trips to Dallas.

And here is a selection – offered once before, in 2009 – of covers of some of the songs that Robert Johnson recorded during his two sessions in 508 Park Avenue in 1937:

A Six-Pack of 508 Park Avenue
“Stop Breakin’ Down” by the Jeff Healey Band from Cover To Cover [1995]
“Malted Milk” by Eric Clapton from Unplugged [1992]
“Traveling Riverside Blues” by John Hammond from Country Blues [1964]
“Love In Vain” by the Rolling Stones from ‘Get Yer Ya-Ya’s Out!’ [1970]
“Stones In My Passway” by Chris Thomas King from Me, My Guitar and the Blues [1992]
“I’m a Steady Rollin’ Man” by Robert Lockwood, Jr. & Carey Bell from Hellhound on My Trail: Songs of Robert Johnson [2000]

A Landmark In Peril

February 1, 2012

Originally posted February 23, 2009

Twice during trips to visit the Texas Gal’s family in the Dallas area, she and I have driven into the heart of downtown Dallas, to a portion of the city whose good days are long gone. There, we’ve visited Park Avenue and the building at 508, where Robert Johnson recorded thirteen tracks over a two-day period in 1937. As well as taking pictures, I’ve stood on the front step, sharing the same space once occupied by both Robert Johnson and Eric Clapton.

The other week, the Texas Gal’s mom and sister sent me a clipping of a story from the Dallas Morning News, detailing the uncertain future of the building at 508 Park Avenue.

(It seems that the links to the images that ran with the story are no longer working. [Nor, for that matter, is the link to the story.] Here’s a photo of the front door of the building that I took on one of our two visits to Park Avenue.)

It would be nice to have the building saved, of course, both for its exterior architecture and for its place in music history. But I’m guessing that won’t happen. In the meantime, here are cover versions of some of the songs Robert Johnson recorded during his two days in Dallas in July of 1937.*

A Six-Pack of 508 Park Avenue
“Stop Breakin’ Down” by the Jeff Healey Band from Cover To Cover [1995]
“Malted Milk” by Eric Clapton from Unplugged [1992]
“Traveling Riverside Blues” by John Hammond from Country Blues [1964]
“Love In Vain” by the Rolling Stones from ‘Get Your Ya-Ya’s Out!’ [1970]
“Stones In My Passway” by Chris Thomas King from Me, My Guitar and the Blues [1992]
“I’m a Steady Rollin’ Man” by Robert Lockwood, Jr. & Carey Bell from Hellhound on My Trail: Songs of Robert Johnson [2000]

*I was too pessimistic, it seems: According to this piece in the January 26, 2012, edition of the Dallas Observer, the building at 508 Park Avenue will be restored and become the site of the Museum of Street Culture. That will include a recording studio on the floor of the building where Robert Johnson and others played, and – according to the January 26, 2012 piece – a memorial of some sort in the corner of that floor where Johnson and other musicians actually sat or stood to record. Note added February 1, 2012