Posts Tagged ‘Caravan’

Disorder In The Center

August 5, 2011

Originally posted September 8, 2008

On the far wall, the big shelves wait for the LPs, all of which are still in boxes that form Mount Vinyl in the middle of the living room. On the near wall, the electronics are all hooked up: computer, USB turntable, television, telephone, CD player with futuristic speakers and wireless headphones.

But in the center of the room that we call my study: Oh disorder!

Somehow, two of the large fans we used in the apartment – it was on the southwest corner of the building with no shade, and the air conditioner, a wall unit, was horribly unsuited to cool anything but the living room – two of those fans have wandered into this room. We shouldn’t need them any longer except in a Saharan heat wave, as the house has central air and is shaded by about twenty large trees, most of them oak.

Along with the fans, as I scan the pile of miscellaneous stuff that has migrated here in the past six days, I can see a small plastic table, about ten feet of coaxial cable the cable guy didn’t need, a box of board games (Up Words, several versions of Monopoly, two versions of Risk, the Settlers of Catan – our favorite – and more), a book bag, two belts, a blue three-ring binder (with no paper in it), two trays with bottles of prescription medicine from the past six years, two folders of lyrics and verse dating back to 1970, another folder filled with special editions of Sports Illustrated dating back to 1979 and a partially inflated Hutch brand football called The Gripper with a facsimile signature from Roger Staubach.

And that’s just the stuff I can see in a glance before I get to the boxes of books. It looks like a random junkyard to me.

A Monday Walk Through the Junkyard (1950-1999), Vol. 6
“Come Together” by the Beatles from Abbey Road, 1969

“Friar’s Point” by Susan Tedeschi from Just Won’t Burn, 1998

“Two Faced Man” by Gary Wright from Footprint, 1971

“The Madman And The Angel” by Drnwyn from Gypsies In The Mist, 1978

“Blind Willy” by Herbie Mann from Muscle Shoals Nitty Gritty, 1970

“I’m A Drifter” by Martin & Neil from Tear Down The Walls, 1964

“Battle of New Orleans” by Johnny Horton, Columbia single 41339, 1959

“Golf Girl” by Caravan from In The Land of Grey and Pink, 1971

“The Road” by Chicago from Chicago, 1970

“Sit and Wonder” by Dave Mason and Cass Elliot from Dave Mason & Cass Elliot, 1971

“I’m Not Living Here” by Sagittarius from Present Tense, 1967

“Four Walls” by Eddie Holman from I Love You, 1970

“Seven Day Fool” by Etta James, Argo single 5402, 1961

A few notes:

Susan Tedeschi is an excellent blues guitarist and singer who has made a string of fine albums, starting with Just Won’t Burn. “Friar’s Point” is a tour through blues country: Friars Point itself is a small Mississippi town right on the Mississippi River in Delta Country. Robert Johnson’s “Traveling Riverside Blues” mentioned the small town: “I got womens in Vicksburg, clean on into Tennessee/But my Friars Point rider, now, hops all over me.” The town is also famous as the home of the park bench where a young Muddy Waters is said to have seen and heard Johnson play guitar. Intimidated, the tale goes, Waters quietly walked away. Tedeschi’s song name-checks Johnson, Irma Thomas, B.B. King, Magic Sam and Waters himself as it takes us from the Mississippi Delta to New Orleans, Memphis and Chicago. The town’s name is “Friars Point,” with no apostrophe; Tedeschi’s song is titled, according to All-Music Guide and other sources, “Friar’s Point.” Why? I have no idea. Nor do I have any information about the surprise ending of the mp3; I got the file from a friend and don’t have access to the original CD this morning.

There’s not a lot of information out there about Drnwyn, at least not that I’ve found. A note at the blog Jezus Rocks classifies the group as Christian Folk/Psychedelic/Rock, and I guess that fits as well as anything, although it sounds more like 1969 than 1978 to me. I found the album online in my early days of haunting music blogs, but I do not recall where. The same note at Jezus Rocks tells of a 2006 CD reissue, but copies of that seem scarce, based on a quick look.

The Herbie Mann track is from an LP I ripped and posted here almost a year and a half ago. Amazingly, the link for the album is still good. You can find the original post here.

The Neil of Martin & Neil was the late Fred Neil, reclusive singer and writer of, among others, “Everybody’s Talkin’” and “The Dolphins.” Martin was Vince Martin, and the two men’s talents – augmented by some work on bass by Felix Pappalardi and on harmonica by John Sebastian – made for a good album.

“The Road” is the second track from the album now known as Chicago II, the one with the silver cover that was called simply Chicago when it was released in 1970 and then again years later when it was released on CD.