Originally posted November 23, 2007
It’s quiet here this morning.
There’s no noise from the parking lot outside, where most morning, the college kids and younger adults who make up a good portion of the folks in our apartment complex start the public portions of their days with laughter, the sounds of auto engines rumbling and the more frequent sounds of the heavy low bass of rap or hip-hop. In fact, more than half of the parking spaces are empty, evidence of Thanksgivings spent elsewhere.
The Texas Gal is taking advantage of the opportunity a rare vacation day presents: She’s sleeping in past her normal rising time of 6:30. It’s 7:47, and I’ve shut the bedroom door so that our two rampaging catboys – Clarence and Oscar – leave her alone. They’ll no doubt come through here, demanding attention, while I write.
We had a pleasant day yesterday: dinner with my family at my sister’s home in a Twin Cities suburb, and then we spent the evening with friends Sean and Stephanie at their new apartment on the west end of St. Cloud.
I had planned to rip an album this morning, Dobie Gray’s Drift Away from 1973, but I think I will leave that for Monday and move Monday’s planned share – Color Him In, a 1967 album by Bobby Jameson – for a week from today. Instead, though, I thought I’d offer a Baker’s Dozen in the spirit of yesterday’s holiday.
And no, I’m not going to go all rhapsodic about Thanksgiving and the things I am grateful for. Just let it suffice to say that I have a great deal for which to be grateful, starting, of course, with the Texas Gal and her love for me and extending throughout the various aspects of my life – my friends, my critters and all the rest – to those folks who stop by Echoes In The Wind to listen to the music that moves me.
A Baker’s Dozen of Thanks
“Thank You (Falettinme Be Mice Elf Again)” by Sly & the Family Stone, Epic single 10555, 1970
“Thanks for the Pepperoni” by George Harrison and friends from Apple Jam, All Things Must Pass, 1970
“Thank You Lord” by Rick Nelson from Rudy the Fifth, 1971
“Now Be Thankful” by Fairport Convention, Island WIP single 6809, 1970
“I Wanna Thank You Baby” by Delbert McClinton from Plain From The Heart, 1981
“Thanks To You” by Emmylou Harris from Cowgirl’s Prayer, 1993
“Be Thankful For What You Got” by William DeVaughn, Roxbury single 0236, 1974
“Thank You” by King Floyd from Think About It, 1973
“Thank You Mr. Poobah” by the Butterfield Blues Band from Paul Butterfield Blues Band, 1965
“I Want To Thank You” by Billy Preston from That’s The Way God Planned It, 1969
“Thanks For Saving My Life” by Billy Paul, Philadelphia International 3538, 1974
“Thank You Girl” by the Beatles, Vee-Jay single 587, 1964
“Thank You For The Promises” by Gordon Lightfoot from Shadows, 1982
A few notes on some of the songs:
“Thanks For The Pepperoni” was one of the five tracks on the third LP of All Things Must Pass, George Harrison’s first solo album. That LP, titled Apple Jam, was made up of five long jam sessions recorded by Harrison and his friends during the recording of the album. Listened to as a whole, the jams could become tedious. Taken one at a time, they’re fun to listen to, for the most part. There are no specific credits for tracks, so one has to listen and guess. Guitarists on the album sessions were Harrison, Clapton and Dave Mason; bass players were Klaus Voorman and Carl Radle; on drums were Ringo Starr, Jim Gordon and Alan White; and playing keyboards were Gary Wright, Bobby Whitlock, Billy Preston and Gary Brooker. Which of those actually played on “Thanks For The Pepperoni” is left to speculation, informed supposition and wild guesses.
Rudy the Fifth was a pretty good country rock album from Rick Nelson and the Stone Canyon Band. Made up for the most part of originals – “Thank You Lord” is one of them – the album also featured covers of Bob Dylan’s “Love Minus Zero/No Limit” and “Just Like A Woman” and of the Rolling Stones’ “Honky Tonk Women.” Although fairly obscure today, it’s an album worth seeking out. (It’s available from various on-line retailers at a two-few with the album Rick Sings Nelson.)
William DeVaughn was a one-hit wonder who, according to All-Music Guide, “was working for the government when he paid $900 for a recording session at Philadelphia’s Omega Sound Inc. (basically a ‘vanity record’ operation).” The session, which was backed by MFSB’s main rhythm section, so impressed Omega’s vice-president Frank Fioravanti, that he shopped “Be Thankful For What You Got” to various labels, finally getting it released on Roxbury. The song went to No. 1 on the R&B charts and to No. 4 on the Billboard Top 40. (DeVaughn had R&B hits with “Blood Is Thicker Than Water” and “Figures Can’t Calculate” but never hit the Top 40 pop chart again.)
I’ve listed “Thank You For The Promises” by Gordon Lightfoot here before but it’s too lovely a song to leave out of this selection.