Archive for the ‘Single’ Category

Mystery Delayed

June 1, 2022

Originally posted October 13, 2009

Well, I was going to write today about a Minnesota mystery that’s had some national attention in the past few weeks: A slab of old rock, a late Nineteenth Century farmer, eight Swedes and twenty-two Norwegians, a north-central Minnesota town, and a film on the History Channel that somehow managed to bring in the medieval Knights Templar and the Holy Grail.

But today’s plate got filled faster than an empty glass at a local beer joint, so that will all have to wait until tomorrow. That’s okay. This way, I get twenty-four more hours to figure out what I have to say.

“It’s a Mystery” by the Average White Band from Cut the Cake [1975]

‘No Letter Today’

May 18, 2022

Originally posted September 2, 2009

We’ll see you tomorrow.

“No Letter Today” by Ray Charles from Modern Sounds in Country and Western Music, Vol. 2 [1962]

Where Am I?

May 12, 2022

Originally posted July 24, 2009

Change of plans: We’ll look at a few singles from a single record label next week sometime. (As long as there’s time, any suggestions for which record label?)

I’ve noticed something odd for a couple of weeks now. I thought it would correct itself, but it doesn’t seem so inclined. For some reason, something in my computer thinks I live in Stevens Point, Wisconsin. When I stop here at the blog, the visitor counter tells me someone from Stevens Point is here, not someone from St. Cloud.

If I do a search on one of those pages that provides supplemental local results off to the right, I get offered good deals on real estate, fresh fruit, rocking chairs, bottled water and anything else I might want . . . but in Stevens Point, not in St. Cloud.

I’m not sure how that happens. I recall a visitor to the blog once noting that the visitor log had him misplaced by several hundred miles and one nation.  In my case, Stevens Point is 282 miles and one state away. It’s not a big deal, but it is a little odd.

And here’s a song whose title seems to fit.

“I’m Not There” by Bob Dylan and The Band, probaby from sessions for The Basement Tapes, ca. 1967

Taking Some Time

May 10, 2022

Originally posted July 14, 2009

The Texas Gal is taking a few days off, so I’m going to do the same. See you Saturday, maybe Friday.

Here’s “Take the Time” by the Freddy Jones Band from the 1993 album Waiting for the Night.

A Radio Tale

June 5, 2015

Originally posted June 12, 2009

It’s one of two things: Either I have the worst summer cold on record (okay, it would technically be a late spring cold), or something in our yard has developed a new and extremely allergenic pollen. Whichever it is I have been sneezing and sniffling for the last couple of days, and my head feels as if someone has stuffed wet rags inside it.

I don’t much care which of the two is the truth (or if in fact, the truth is a third option I’ve not considered). I just want it to stop. For one thing, it makes it hard to think. And if I can’t think, I can’t write, at least not without more of a struggle than usual. So I’m going to take the easy way out today. Yah Shure, caithiseach and I had a tri-cornered round of correspondence this week, sharing a few tunes and our thoughts on those tunes. Along the way, Yah Shure provided me with a single edit of one of my favorite 1970 records, an edit I’d likely not heard in thirty years.

That will show up here tomorrow as a Saturday Single.

He also tossed our way an interesting single from his years as a DJ at St. Cloud’s WJON, the radio station just down Lincoln Avenue from our place. That single’s tale begins, loosely, with memories from his time at WMMR, a student radio station at the University of Minnesota that had much the same purpose as did KVSC at St. Cloud State. I’ll let Yah Shure tell the tale from there.

My music director predecessor at the U’s WMMR was in town last weekend.  Of course, we had to dig out some of the Wimmer goodies from the late ’60s and beyond.  He mentioned a song I’d missed, which was the 1975 Eurovision Song Contest winner, “Ding-A-Dong” by Teach-In.  I downloaded it for a listen, and having discovered that the act was from the Netherlands, I countered with another Dutch tune he’d never heard.  And so begins the story:

“Late At Night” by Maywood had been a number one hit in the Netherlands in July of 1980 on EMI Records.  It took its dear, sweet time before finally washing ashore here, via the tiny L.A.-based Cream label.  To the best of my knowledge, Cream Records never had a hit, although the group Snail put out a decent album and single.  The label’s logo resembled a collision between a “got milk?” ad gone awry and the Sherwin-Williams logo.  Yes, it’s that awful.  Have a look.

Cream Records logo

Maywood consisted of two sisters from Harlingen: Alie and Edith de Vries (aka Alice May and Caren Wood) and their sound was right up ABBA Avenue.  The “Late At Night” single arrived at WJON on March 30, 1981, and the then-chief announcer promptly tossed it into the reject pile.

You-know-who regularly trolled the vinyl graveyard, and that “An EMI-Holland Recording” notation on the bottom of the Cream label warranted an immediate audition.  I thought the record was perfect for WJON, where all things ABBA and Boney M had worked wonders for several years.  But those days had been under a different PD/MD, who knew the market well.  I did manage to play “Late At Night” once on WJON as part of a special show, along with a handful of other new releases with a bit of a retro feel that were not headed for the regular playlist.  It turned out to be my swan song to St. Cloud, as I departed for Oklahoma City a few days later.

Needless to say, Cream Records couldn’t deliver the goods.  Even if WJON had added the record, it would have almost certainly been for naught.  As I’d learned during my days at Heilicher Brothers, the independent distributors rarely took chances on new, unproven labels.  They’d been stiffed too many times in the past when it came to getting credit for unsold returns from such fly-by-night outfits, so they wouldn’t even consider buying any product.  That, in turn, meant no stock in the stores, and no sales meant no airplay.  What a shame.  “Late At Night” was a great record and catchy as hell.  Most of Maywood’s EMI output is no longer in print.

And here’s the record: “Late At Night” by Maywood, Cream 8142 [1981]

The studio version of “Late At Night” is blocked in the U.S. by YouTube, but here’s Maywood performing the song on Dutch television:

(I’m not sure if I need to, but I’ll note for anyone who needs it that PD/MD is, I believe, radio shorthand for Program Director/Music Director.)

‘I Think I Will Travel To Rio . . .’

June 28, 2013

Originally posted May 21, 2009

Well, I found something pretty interesting at YouTube this morning: Here’s a video that Mike Nesmith put together for his single “Rio” in 1977, when the song went to No. 1 in Australia. This was, as the YouTube poster points out in his comments, four years before MTV went on the air. It’s a witty video, as is the song.

And that’s so good – and I have such a long list of things to do today – that we’ll leave it right there. I think we’ll visit 1972 tomorrow.

A Note
Blogger tells me as I get ready to post this that Echoes In The Wind has 699 posts and this will be No. 700. There have actually been a few more than that, but some have disappeared over these two-plus years. Either way, the only thing to do is . . . celebrate!

“Celebrate” by Three Dog Night, ABC/Dunhill 4229 [1969]

Note: Because some of the first posts on this archives site were created by combining some of the very early posts on the original Blogger site, this is not the 700th post on this site. It’s not far off, though.

Thirty-Nine Years

June 20, 2012

Originally posted May 4, 2009

Allison Krause
Jeffrey Miller
Sandra Scheuer
William Schroeder

“Ohio” by Neil Young, at Toronto’s Massey Hall, January 19, 1971

Look To Tomorrow

June 20, 2012

Originally posted April 21, 2009

I’m a little subpar this morning, so there won’t be a post today, folks. I will be back tomorrow, when I think we’ll dip into the unplayed LP stacks and see what treasures (or dross) linger there. (In doing so, we’ll satisfy our curiosity and the request of the Kiddie Corner Kid for some music by the Willmar Boys’ Chorus.)

Until then, here’s another tune I like from a CD I recently featured. And no, the title is not prophetic, one hopes.

“Tomorrow Never Comes” by Big Head Todd & the Monsters from Sister Sweetly [1993]

About Heartsfield
I got a pleasant note the other day from Heartsfield, the country-rock band whose 1970s music I featured a while back. The band is still going strong and all of its early CDs are in print and available, as are newer albums and some other treasures. You can stop by the band’s website or go see the group’s MySpace page.

Listen To The Train Wreck

June 1, 2012

Originally posted April 14, 2009

There were some requests following Saturday’s post for more information about my database of LPs. It’s a topic I’ve thought about before, but I thought it would be of little interest to others. Since Saturday, though, I’ve given the matter some thought, and I will write about it. But not yet. There is – one assumes – the third annual Vinyl Music Day coming along this summer, and that would be a good time to dig into how my database came to be. (As well as being a grand excuse to pull unique records from the shelf to rip odd mp3s.)

So those who are interested in the history of the database and my methods (the name Rube Goldberg comes to mind; if that name is unfamiliar to you, Google it, and you’ll understand a bit more about my methodology), you’ll have to wait a few months.

But that does not mean that there are not tales to tell now. In fact, Saturday brought me face to face with another extraordinary cover version of a well-known song.

To be honest, it was the comments about my database that got things started. For nearly six years, a box of odd records has been waiting for its contents to be entered into the database. Oh, I tagged the records when I got them, so I knew when they had been purchased. The box of stuff came from a garage sale the Texas Gal and I found somewhere in St. Cloud in May 2003. The folks who were running the sale were about to shut things down, and a box of records was still sitting there.

The price was fifty cents a record or something like that, and the box had some nice stuff in it, some of it in pretty good shape: about half of it was rock and pop mostly from the Seventies and Eighties, but that was stuff I already had (and my copies at home were in just as good a shape or better). The other half of the box was, well, interesting. I mentioned the other week that I have a double album of performances by the Willmar Boys’ Chorus (Willmar being a city about sixty miles southwest of St. Cloud). I found it in this box. The same with Favorite Marches Featuring the Marches of John Philip Sousa by the Norwegian Military Band, and Russian Folk Musical Instruments Anthology (assuming I transliterated and translated correctly) on the Soviet-era Melodiya label.

So why did I buy the box of records if I already had the good half of what was in there, and the half I didn’t have was, well, different? A one-word answer: Commerce.

The folks running the garage sale were, as I said, about to close up, and they asked how much I’d pay for the whole box of records. I took one more quick look at the pop and rock stuff and said ten bucks. They were happy, and I took the box to the car. And the Texas Gal and I ended our Saturday excursion with a trip to the Electric Fetus downtown, where I got about $25 for the rock and pop albums in the box.

That was something I’d done many times during the years I lived in south Minneapolis: Buy a box of records at a garage sale and then make the rounds of the used record stores near my home. I’d generally take the remainder, the records I did not want, to the Salvation Army store about six blocks from my home. I had planned to do that with these St. Cloud garage sale records, but for some reason, I never did, and Saturday found me entering them into the database.

As I did, I had to play a few tracks here and there. I haven’t listened to anything by the Willmar Boys’ Chorus yet, but I have found some, well, interesting tracks. And that’s inspired me to start a new series here at Echoes In The Wind. Today’s mp3 will be the third in the series called Train Wreck Jukebox. (I’m granting ex-post-facto membership to both sides of the Swingers’ “Bay-Hay Bee Doll,” which I shared about a year ago and to Ray Conniff’s rendition of “Photograph,” which I shared two weeks ago.)

In 1968, Guy Lombardo and the Royal Canadians decided it was time to get with it and clue in the grandpas and grandmas and old fogey uncles who bought their music. The new Lombardo album was titled The New Songs! The New Sounds!

The liner notes by Lee Gillette read, in part:

“More and more of the younger generation are becoming familiar with the sound of the Guy Lombardo orchestra . . . they are attending his concerts across the nation . . . the college set was prominently represented recently during the Royal Canadians, twice-yearly appearances at the Tropicana in Las Vegas . . . and they not only listened, but joined together on the dance floor each evening during the newly-inaugurated dance sessions there.

“The same nostalgic sound of the band is there, but something new has been added. Bobby Christian, one of the nation’s finest percussionists, was flown to the recording session in Las Vegas from Chicago to perform on vibes, Latin-percussion, harpsichord, tambourine, cymbals, drums, to name a few. In Las Vegas, guitarist Bob Morgan was added to the rhythm section with electric guitar and Brazilian type guitars to up-date the over-all sounds of the Royal Canadians. Songs like “Harper Valley P.T.A.” and “Gentle on My Mind” have a new Lombardo rhythmic beat that is now-a-days. Harmonica virtuoso Tommy Morgan was brought in to enhance “Folsom Prison Blues.”

Oh, there’s so much to chew on in that! But I guess I’ll just point to the use of “now-a-days,” which in any usage sounds so very much like 1930, at best. And we’ll ignore the odd diction and punctuation and get to the heart of this post, which is this week’s entry into the Train Wreck Jukebox:

“Folsom Prison Blues” by Guy Lombardo and The Royal Canadians
From The New Songs! The New Sounds! (1968)

Reposts
Cate Brothers by the Cate Brothers, 1975
Original post here.

In One Eye and Out The Other by the Cate Brothers, 1977
Original post here.

Steve Winwood by Steve Winwood, 1977
Original post here.

This Time With The Vocals

February 1, 2012

Originally posted February 22, 2009

Oops!

In Friday’s post, I shared what I thought was my regular copy of the Platters’ “With This Ring.” It turns out I had mislabeled and misfiled what seems to be a karaoke version of the song: No vocals.

I have a few karaoke versions like that, and I keep them in another file. This one – through my carelessness – escaped and was mislabeled. I’m sorry.

Thanks to reader Magkfingrs for pointing out the problem. I’m uploading the correct song to that post, and to this brief Sunday post. (Sorry about the lower bitrate; I’m in the process of upgrading as many of the 128 kbps mp3s – ripped from CDs or vinyl long before I thought about blogging – as I can to 192 kbps, and I haven’t gotten to the Platters yet.)

“With This Ring” by the Platters [Musicor 1229, 1967]