I’ve spent a little bit of time yesterday and this morning trying to sort out Nanci Griffith’s discography, all in the wake of sharing yesterday her 1987 version of “There’s a Light Beyond These Woods (Mary Margaret).”
I say “1987 version” because Griffith first recorded and released the poignant song in 1978. Without the parenthetical portion of the 1987 title, the song was the title track to Griffith’s first album, released on the B.F. Deal label. The re-recording of the song came after Griffith was signed to MCA; the album Lone Star State Of Mind, where the re-recording can be found, was Griffith’s second album for MCA.
And as far as I can tell, that’s the only song that Griffith has re-recorded in the studio – or at least re-released – from either There’s A Light Beyond These Woods or her second album, Poet In My Window (released on the Featherbed Productions label in 1982). One track from Poet – “Workin’ In Corners” – did find its way into the set list for the 1988 live album One Fair Summer Evening.
I imagine I’m the one of the few people who cares about this stuff. Well, probably not. I’m sure there are Nanci Griffith obsessives out there, just as there are discography obsessives. I only dabble in both topics, digging around in Griffith’s music when something brings her up (as the randomizer did yesterday), and digging around in various discographic sites when I have a question (as I did about “There’s A Light Beyond These Woods”).
As far as Nanci Griffith’s music goes, I have a fair amount of it: All but one of her albums are on the digital shelves and I have five on CD. Before the vinyl sell-off a few years ago, I had three LPs of her; the first one I bought was Last Of The True Believers. I actually remember pulling it from a bin in a store on Minneapolis’ Nicollet Avenue about a mile or so from my 1990s apartment.
How do I remember? I’m not sure, but I know I rarely shopped in that Nicollet Avenue store, and I recall being intrigued as I looked at the album, which came out on the Philo label in 1986, in between two of her albums on MCA. Something about the jacket grabbed my attention, and at the time, I was willing to try pretty much any new artist in most genres, so I put the album in the stack of stuff I was buying. The LP log tells me it was March 20, 1993; I also bought albums that day by Don McLean and Glenn Yarbrough.
Anyway, I took the album home, and sometime in the next few days I plopped it on the turntable. I clearly liked what I heard – especially her idiosyncratic voice and diction – as I ended up buying more and more of her stuff over the years. So I wondered, as I was digging around in the course of writing this (probably not too interesting) piece, what was the first Nanci Griffith track I heard?
Well, it likely was the opening track of Last Of The True Believers, which turned out to be the title track. So here’s “The Last Of The True Believers,” today’s Saturday Single.
Tags: Nanci Griffith
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