From A Muscle To The Junkyard

Originally posted February 22, 2008

As some cliché writer once said, there’s a first time for everything. I’m still not sold on the “everything” in that, but I do seem to have cataloged a “first time” that I don’t believe I’ve ever thought about.

I’ve been fighting a cold for a couple of days, and last evening, while sneezing, I pulled a muscle in my ribcage. I never knew one could do that. But I did, and one of the results is that I’m not very comfortable writing. So I’m not going to do much of that today, beyond a short introduction and some comments about some of the songs that pop up.

Several of the online outlets where I buy CDs have had sales and promotions lately, so there is an appreciable pile of CDs waiting to be logged into our collection here. Most of them are albums from the 1960s and 1970s, as I continue to fill gaps. In an effort to fill one such empty space, I finally picked up last week Wanted, the first album by the country-rock group Mason Proffit. So we’ll start today’s walk through the junkyard with “Two Hangmen,” the Vietnam-era protest song dressed up as a Western morality play. In the year it came out, I used to hear it through whispers of static on KAAY in Little Rock.

A Walk Through the Junkyard
“Two Hangmen” by Mason Proffit from Wanted, 1969

“Kid Charlemagne” by Steely Dan from The Royal Scam, 1976

“Wolves In The Kitchen” by John Stewart from Lonesome Picker Rides Again, 1971

“Hurt So Bad” by El Chicano from Viva Tirado, 1970

“Everything Is Gonna Be OK” by Dino Valente from Dino Valente, 1968

“Stranger Than Dreams” by Lowen & Navarro from Scratch at the Door, 1998

“Keeping the Faith” by Billy Joel from An Innocent Man, 1983

“I Just Want To Make Love To You” by Muddy Waters, Chess single 1571, 1954

“Poems, Prayers & Promises” by John Denver, RCA single 0445, 1971

“So Easy” by Aztec Two-Step from Aztec Two-Step, 1972

“Love at the Five & Dime” by Nanci Griffith from Last of the True Believers, 1986

“That Girl Could Sing” by Jackson Browne from Hold Out, 1980

“One Fine Day” by Carole King, Capitol single 4864, 1980

“Out In The Country” by Three Dog Night from It Ain’t Easy, 1970

“Moses” by the Navarros, GNP Crescendo single 351, 1965

A few notes:

I’ve learned from conversations and correspondence with radio folks that “Two Hangmen” is one of those songs that brings a buzz when it is aired: The phones light up as listeners have questions, comments and just plain gratitude for being able to hear the song one more time.

Steely Dan’s sound was unique and so consistent from album to album that sometimes the group’s body of work can blend into a whole. While the Dan never released a truly bad album, there were a couple that weren’t as good, and I think The Royal Scam was one of those.

I’m not sure if Lowen & Navarro were as popular elsewhere in the 1990s as they seemed to be in Minnesota. Every two or three months, it seemed, the duo would stop by Cities 97 for a live-in-studio performance. Their acoustic folk-pop was well-done, and I enjoy the couple of CDs I have, but there never seemed to be much change or growth: the songs on 1998’s Scratch at the Door could easily have fit into Walking On A Wire, the duo’s 1991 debut CD.

I have seven LPs and three CDs of Billy Joel’s work in my collection. I’m not sure I need that much. That said, An Innocent Man is a good album, and if “Keeping the Faith” isn’t the best track on the record – I think that title goes to “Uptown Girl” – it’s nevertheless a good one. Maybe someday I’ll write a post examining why I’m not all that fond of Joel and his work, and maybe by the time I’m finished with that post, I’ll understand the ambivalence he brings out in me.

Aztec Two-Step was a folk-rock duo that released four albums during the 1970s and a few more sporadically since then, including 2004’s Days of Horses. Their self-titled debut in 1972 created some buzz, but by the time the duo recorded 1975’s Second Step, folk-rock was falling out of favor. The first album is the best, though all of their work is pleasant.

I’ve noticed that whenever I post a Nanci Griffith song among either a Baker’s Dozen or a Junkyard, it almost always has fewer hits than the other tracks posted that day. Do yourself a favor: Listen to “Love at the Five & Dime.” I think that if I were to make a list of the one hundred best songs in my mp3 collection – which now numbers around 23,600 – “Love at the Five & Dime” would be one of them. I know that Nanci Griffith is not as well known as other artists whose recordings are posted here. I know that her delivery can be quirky. But the woman can write a song, and this one is most likely her best, from where I listen.

The Carole King track was the single pulled from Pearls: Songs of Goffin and King, a 1980 record for which King recorded some of the songs she and her then-husband, Gerry Goffin crafted during the Brill Building days in the early 1960s. I’d call the album a must-have.

The Navarros’ “Moses” is not quite a novelty record, but it comes close. I almost skipped over it when it popped up at the tail end this morning, but then I decided it’s a good day for a little bit of a chuckle.

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